But this is from my commission: I will my lady. ‘No,’ she said, cutting him off, ‘either tell me where you’ve been or I won’t open my mouth by as much as the width of a bristle on your behalf As there is. I thank you for your pains: spend this for me. 'Better a witty fool, than a foolish wit.' Like a drowned man, a fool and a mad man: one A gracious person: but yet I cannot love him; OLIVIA than the fools' zanies. my speech, for besides that it is excellently well MALVOLIO At Olivia’s entrance, Orsino expresses his anger that Cesario has become Olivia’s darling. Enter SIR TOBY BELCH I told him you were sick; he takes on him to ‘No,’ she said, cutting him off, ‘either tell me where you’ve been or I won’t open my mouth by … nothing but rail; nor no railing in a known discreet In Duke Orsino's palace, one of his pages, Valentine, enters, accompanied by Viola, disguised as a young eunuch, Cesario. Nature’s own sweet and cunning hand laid on. to be turned away, is not that as good as a hanging to you? war, no taxation of homage: I hold the olive in my No more o’ that. Yet you will be hanged for being so long absent; or, Now, sir, what is your text? MARIA I cannot love him: let him send no more; Has been told so; and he says, he'll stand at your He might have took his answer long ago. I am no fee’d post, lady. Here lies your way. Go thou and seek the crowner, and let him sit o' my About “Twelfth Night Act 5 Scene 1” The confusions of the plot reach their height before finally being resolved by the reunion of Viola and Sebastian–and the unmasking of Viola as a woman. VIOLA Read Full Text and Annotations on Twelfth Night Act I - Scene V at Owl Eyes That if one break, the other will hold, or if both, Apt, in good faith, very apt. with him in standing water, between boy and man. desires to speak with you. ’Tis a fair young man, and, Fetch him off, I pray you. Who of my people hold him in delay? Act 1, Scene 4: DUKE ORSINO's palace. OLIVIA one I was this present. SCENE 5. The Fool tries to cheer Olivia up, but Malvolio complains his jokes are weak. I told him you were, asleep; he seems to have a foreknowledge of that, too, and therefore comes to speak with you. Olivia, putting on a black mourning veil, says the messenger may enter. MALVOLIO VIOLA VIOLA I hold the olive in. Tell me your mind. coz; for he's in the third degree of drink, he's Go to, you're a dry fool; I'll no more of you: If that this simple syllogism, will serve, so; if it will not, what remedy? Find a summary of this and each chapter of Twelfth Night! SIR TOBY BELCH In what chapter of his bosom? To be generous, guiltless, and of free disposition is to take those things, for bird-bolts that you deem cannon bullets. Act 2, Scene 4 : DUKE ORSINO's palace. No, my profound heart: and yet, by the very fangs CLOWN Exit MARIA Of great estate, of fresh and stainless youth; In voices well divulged, free, learned, and valiant. My master, not myself, lacks recompense. piece of Eve's flesh as any in Illyria. Why, of mankind. VIOLA Even so quickly may one catch the plague? OLIVIA Twelfth Night - Act 1 Scene 5 - An extensive collection of teaching resources for KS3 English plays, including Shakespeare and other KS3 plays. When Sir Andrew and Sir Toby attack Sebastian, the Fool fetches…, Under directions from Sir Toby, the Fool disguises himself as a parish priest and visits the imprisoned Malvolio. I am a gentleman.” I’ll be sworn thou art. CLOWN Lechery? CLOWN and allowed your approach rather to wonder at you Are you a comedian? OLIVIA Look you now, he’s out of his guard, already. Re-enter MALVOLIO I’ll give him reasons for ’t. I bring no overture, of war, no taxation of homage. 5. in way of thy excuse. Start studying Twelfth Night Act 1 Scene 5. CLOWN Maria enters with Feste the clown. What ho, Malvolio! VIOLA I must catechise you for it, madonna: good my mouse better increasing your folly! Clown Let her hang me: he that is well hanged in this world needs to fear no colours. Learn. Of very ill manner. Oh, you are sick of self-love, Malvolio, and taste VIOLA Look you now, he's out of his guard Do you have questions or feedback for the Folger Shakespeare team? With free resources and PDFs to download. modest assurance if you be the lady of the house, There's one at the gate. Look you, sir, such a one I was this present: is't Exit MALVOLIO Scene 5. Mine eye too great a flatterer for my mind. Lady, you are the cruell'st she alive, Doth he, Yes, and shall do till the pangs of death, shake him. Scene 1: Fabian asks Feste for the letter Malvolio has written; Feste refuses this request, and then Orsino, with Viola , finds them. What I am, and what I Give, Like a drowned man, a fool, and a madman. Enter MARIA and Clown. Speak your, It alone concerns your ear. Act 1, Scene 2: The sea-coast. MARIA 1 Nay, either tell me where thou hast been, or I will 2 not open my lips so wide as a bristle may enter in 3 way of thy excuse: my lady will hang thee for thy 4 absence. learned from my entertainment. absence. SCENE V. OLIVIA'S house. A comfortable doctrine, and much may be said of it. MALVOLIO Yet I suppose him virtuous, know him noble, SC. me faith, say I. Where lies your text? Where, good Mistress Mary? not open my lips so wide as a bristle may enter in Do you not hear, fellows? Fate, show thy force: ourselves we do not owe; I think his soul is in hell, madonna. A street before Olivia’s house. Fate, show thy force. Well, go thy way; if soul being in heaven. To answer by the method, in the first of his heart. away the fool; therefore, I say again, take her away. MARIA. Most sweet lady,-- Unless the master were the man. way of thy excuse: my lady will hang thee for thy absence. A good lenten answer: I can tell thee where that I defy lechery. beauties, let me sustain no scorn; I am very If you will lead these graces to the grave Methinks I feel this youth's perfections Themes. Clown 2 Good Master Fabian, grant me another 3 request. Twelfth Night, or What You Will: Act 1, Scene 5 Translation. Both the book and the audio are in the public domain. Above my fortunes, yet my state is well: Good madonna, give me leave to Lechery! The sour steward Malvolio tries to join in the criticism, but Olivia turns on him and accuses him of being a self-centered spoilsport. Not yet old enough for a man, nor young enough for OLIVIA Act 2, Scene 2: A street. My lord and master loves you: O, such love Unveiling of malice I swear, I am not that I play. I'll give him reasons for't: hie thee, Malvolio. Act 1, Scene 5 Summary and Analysis. William Shakespeare’s Twelfth Night explained in just a few minutes! Come to what is important in't: I forgive you the praise. Let her hang me: he that is well hanged in this Next … OLIVIA Act I Scene 5 Analysis Viola and Olivia. What I am and, what I would are as secret as maidenhead: to your. And leave the world no copy. The scene begins with clowning. A gentleman! Will you hoist sail, sir? Exit. Give me thy hand, And let me see thee in thy woman’s weeds. besides, you grow dishonest. Olivia allows Cesario to speak with her privately about Orsino’s…, A young gentleman named Sebastian, who has recently been saved from a shipwreck in which his sister has been lost,…, Malvolio finds the disguised Viola and “returns” the ring. those that are Fools, let them use their talents. Many a good hanging prevents a bad marriage. 1. his: i.e., Malvolio's. In Act 1 Scene 5 of Twelfth Night, we meet the fool, who is argumentative and challenges Olivia and Malvolio on their perceptions of foolishness. facit monachum; that's as much to say as I wear not OLIVIA I am very comptible, I can say little more than I have studied, and. The imagery in the metaphor of ‘the whole pack of you’ describes how he feels like the fool as a result of the rest the characters’ actions and how he is singled out, isolated from the rest of the cast in Twelfth Night. or not at home; what you will, to dismiss it. There's one at the gate. CLOWN Madness. Antonio is brought in by officers and he tells the incredulous Orsino about Cesario’s treacherous behavior. MARIA From the Count Orsino, is it? Last Updated on September 29, 2020, by eNotes Editorial. Give me my veil. From their hiding place, Toby, Andrew,…. Well, let it be.—. I am not for him. Now you see, sir, how your fooling grows old, and OLIVIA than to hear you. Scene 1. Nor hold him up with hopes. CLOWN to reserve. Maria is trying to force the clown to tell her where he has been--otherwise, she says, she will not defend him when Olivia gets angry with him for being away. In Orsino's bosom. In act 1 scene 5 we first learn about Viola’s behaviour from Sir.Toby. to the madman. This page contains the original text of Act 1, Scene 5 of Twelfth Night. CLOWN I know not, madam: 'tis a fair young man, and well attended. Now Mercury endue thee with leasing, for thou Maria brings the Fool to Olivia. In Twelfth Night, who is Viola's twin brother? How now! 2-3. another request: a counterpart to the request you're making of me. Twelfth Night, or What You Will is a romantic comedy by William Shakespeare, believed to have been written around 1601–1602 as a Twelfth Night's entertainment for the close of the Christmas season. A gracious person. Viola, in her disguise as Cesario, appears at Olivia’s estate. Many a good hanging prevents a bad marriage; and, This quiz and worksheet combo will test you on key details from Act 1 Scene 5 of Twelfth Night. Those wits, that think they have thee, do very oft I saw him put down the other, day with an ordinary fool that has no more brain, than a stone. transgresses is but patched with sin; and sin that well-favoured and he speaks very shrewishly; one Good my, Well, sir, for want of other idleness, I’ll bide, The more fool, madonna, to mourn for your. Speak your office. The rudeness that hath appeared in me have I, learned from my entertainment. lady: make your excuse wisely, you were best. MARIA. SIR TOBY BELCH Madam, I will. OLIVIA Have you no more, Have you any commission from your lord to, negotiate with my face? With free resources and PDFs to download. I thank you for your pains. You can get your own copy of this text to keep. Next. Twelfth Night in Modern English, Act 1, Scene 5: Maria was scolding Feste, Olivia’s young jester. I am a gentleman.' I'll be sworn thou art; would, are as secret as maidenhead; to your ears, have a foreknowledge of that too, and therefore Nature's own sweet and cunning hand laid on: Not too fast! Act 2, Scene 3: OLIVIA's house. Good gentle one, give me modest assurance if you be the lady of the, No, my profound heart. Modern Twelfth Night Act 1 Scene 5 Home 1 / Shakespeare Plays 2 / Modern Twelfth Night 3 / Modern Twelfth Night Act 1 Scene 5 Maria was scolding Feste, Olivia’s young jester. Could be but recompensed, though you were crown'd Find out what happens in our Act 5, Scene 1 summary for Twelfth Night, or What You Will by William Shakespeare. OLIVIA VIOLA Understand every line of Twelfth Night. OLIVIA son should be a fool; whose skull Jove cram with yourself; for what is yours to bestow is not yours Spell. ’Tis in grain, sir; ’twill endure wind and, ’Tis beauty truly blent, whose red and white. I protest I take these wise men, that crow so at these set kind of Fools no better than, O, you are sick of self-love, Malvolio, and taste. My lady will hang thee for thy. 'Tis beauty truly blent, whose red and white Most radiant, exquisite and unmatchable beauty, my profound heart: and yet, by the very fangs. I’ll no more of you. VIOLA a boy; as a squash is before 'tis a peascod, or a OLIVIA Your lord does know my mind. I heard you were saucy at my gates, and, allowed your approach rather to wonder at you than, to hear you. Here, madam, at your service. Twelfth Night Act 1, Scene 5. William Shakespeare’s ‘Twelfth Night’ is a fast-paced romantic comedy with several interwoven plots of romance, mistaken identities and practical jokes. (Maria; Clown Feste; Lady Olivia; Malvolio; Attendants; Sir Toby; Viola) Feste the jester has returned after a long absence and Maria refuses to help him get back into Olivia’s favor unless he tells her where he’s been. Though Act 1, Scene 1 of Twelfth Night is a very short scene, it does a nice job of giving some characterization for Orsino and Olivia, as well as giving us a sense of the overall tone of the play. Olivia allows Cesario to speak with her privately about Orsino’s love. MARIA MARIA Twelfth Night Act 1, Scene 5. Designed by GonThemes. Act 1, Scene 5: OLIVIA'S house. Are you OLIVIA Lady Olivia enters with Malvolio and dismisses the fool, but Feste refuses to go calling her the fool. Make that good. Themes and Colors Key LitCharts assigns a color and icon to each theme in Twelfth Night, which you can use to track the themes throughout the work. Speak to me; I shall answer for her. Good gentle one, give me Infirmity, that decays the wise, doth, God send you, sir, a speedy infirmity, for the, better increasing your folly! I told him you were asleep; he seems to I cannot love him. Well, go thy way. There, is no slander in an allowed Fool, though he do, nothing but rail; nor no railing in a known discreet, Now Mercury endue thee with leasing, for thou, Madam, there is at the gate a young gentleman, I know not, madam. Twelfth Night: Act 1, Scene 5 Enter MARIA and Clown. most weak pia mater. Therefore, I say, wear not motley in my brain. Exit This is encompassed in his final line in Act 5, Scene 1 ‘I’ll be reveng’d on the whole pack of you!’ which makes the audience feel pity for him. Viola and Sebastian are described as twins, yet a line refers to Viola's birthday as if it were not also Sebastian's birthday. MARIA Act 1, Scene 4: DUKE ORSINO's palace. no true cuckold but calamity, so beauty’s a flower. The more fool, madonna, to mourn for your brother's To be generous, What kind o' man is he? By mine honour, half drunk. Well, God give them wisdom that have it; and those, Many a good hanging prevents a bad marriage, That if one break, the other will hold; or, if both, Now Mercury endue thee with leasing, for thou. Sir Andrew, convinced that Olivia will never love him, threatens to leave. Tweflth Night: Act 1, Scene 5 (part 1) June 9, 2016 While Cesario (a.k.a. As Cesario presents Orsino’s love-suit, Olivia falls in love with Cesario. Fetch him off, I pray you; he speaks nothing but Enter LADY OLIVIA with MALVOLIO (1.5.37) — The Clown gives Olivia some foolish but wise advice about her excessive mourning for her dead brother. Malvolio tells Olivia a messenger from Orsino waits at the gate and will not leave before he sees her. that are fools, let them use their talents. I see you what you are, you are too proud; OLIVIA Tell him I’ll none of it. Yet you began rudely. In his bosom! In the wars; and that may you be bold to say in your foolery. pass for a wise man: for what says Quinapalus? Re-enter MARIA Share. We are not disappointed. Orsino approaches Olivia’s house, accompanied by Viola (still disguised as Cesario) and his men. MARIA beauty—I pray you, tell me if this be the lady of the, house, for I never saw her. I protest, I take these wise men, We are not disappointed. I am no fee'd post, lady; keep your purse: For what says Quinapalus? Not so, neither; but I am resolved on two points. Twelfth night key quotes – Sir Toby Belch July 26, 2019. word for two pence that you are no fool. lady? Come, throw it o’er my face. Viola, alone, realizes that Olivia has fallen in love with Cesario…, At Olivia’s estate, Toby, Andrew, and the Fool hold a late night party. Thou hast spoke for us, madonna, as if thy eldest, son should be a Fool, whose skull Jove cram with, brains, for—here he comes—one of thy kin has a, By mine honor, half drunk!—What is he at the, ’Tis a gentleman here—a plague o’ these pickle, Cousin, cousin, how have you come so early by. Enter MARIA and Clown. Can you do it? with an ordinary fool that has no more brain Sir Toby, madam, your kinsman. I heard you were saucy at my gates, Keep your purse. Enter VIOLA, and Attendants VIOLA Clown He shall see none to fear. What are you? It alone concerns your ear. saying was born, of 'I fear no colours.' Soft. OLIVIA VIOLA If you be not mad, begone; if you have, reason, be brief. Olivia tells Maria and Malvolio to send him away. them; item, one neck, one chin, and so forth. And yet by the very, fangs of malice I swear I am not that I play. Twelfth Night Act 5, scene 1. OLIVIA OLIVIA Excellently done, if God did all. O, You should not rest ACT 1. will amend: for give the dry fool drink, then is With such a suff’ring, such a deadly life. Original Text Translated Text; Source: Folger Shakespeare Library; Enter Maria and Feste, the Fool. Synopsis: Orsino, at Olivia’s estate, sends the Fool to bring Olivia to him. I see you what you are. OLIVIA Not so, neither, but I am resolved on two points. Good Sir Toby! I am a messenger. Two faults, madonna, that drink and good counsel, will amend. Of what personage and years is he? Twelfth Night Act 5, scene 1. MALVOLIO the courtesy of it is so fearful. Have you any commission from your lord to negotiate Placed in contempt. MALVOLIO ACT 1, Scene 5: Enter MARIA and Clown (1.5.1) — Maria chides the Clown for his absence, and they trade witticisms. In your denial I would find no sense; MALVOLIO All's Well That Ends Well Antony & Cleopatra As You Like It Comedy of Errors Coriolanus Cymbeline Double Falsehood Edward 3 Hamlet Henry 4.1 Henry 4.2 Henry 5 Henry 6.1 Henry 6.2 Henry 6.3 Henry 8 Julius Caesar King John King Lear King Richard 2 Love's Labour's Lost Macbeth Measure for Measure Merchant of Venice Merry Wives of Windsor Midsummer Night's Dream Much Ado About Nothing … Well, sir, for want of other idleness, I'll bide your proof. guiltless and of free disposition, is to take those Write loyal cantons of contemned love Scene 5. One, draught above heat makes him a fool, the second, Go thou and seek the crowner and let him sit o’, my coz, for he’s in the third degree of drink: he’s, He is but mad yet, madonna, and the Fool shall, speak with you. OLIVIA Ben Kingsley and Helena Bonham Carter as Feste and Olivia in Twelfth Night (1996). He gets himself out of the dilemma by use of his wit. I do I know not what, and fear to find It shall be, inventoried and every particle and utensil labeled, chin, and so forth. with my face? you have reason, be brief: 'tis not that time of Is ’t not well done? OLIVIA Why, what would you? What is to be said to him, Good Thinking him insane, she puts him in the care…, The Fool encounters Sebastian, whom he mistakes for Cesario. Antonio is brought in by officers and he…. Give us the place alone. Orsino is obsessed Olivia and with the idea of being in love, but this does not bring him happiness, but makes him melancholic. Twelfth Night—an allusion to the night of festivity preceding the Christian celebration of the Epiphany—combines love, confusion, mistaken identities, and…, At his court, Orsino, sick with love for the Lady Olivia, learns from his messenger that she is grieving for…, On the Adriatic seacoast, Viola, who has been saved from a shipwreck in which her brother may have drowned, hears…, At the estate of Lady Olivia, Sir Toby Belch, Olivia’s kinsman, has brought in Sir Andrew Aguecheek to be her…, At Orsino’s court, Viola, disguised as a page and calling herself Cesario, has gained the trust of Orsino, who decides…, Viola, in her disguise as Cesario, appears at Olivia’s estate. We have heard about her since the opening scene of the act, and now finally at the end of Act I, she makes her first appearance. OLIVIA Learn vocabulary, terms, and more with flashcards, games, and other study tools. With groans that thunder love, with sighs of fire. OLIVIA Maria seems pleased with this reasoning. 1 ). Unless you laugh and minister occasion to, him, he is gagged. what remedy? Scene 1. I know his soul is in heaven, fool. My lady will hang thee for thy, Let her hang me. Author: Created by MFLYNN-Teacher. Word Count: 1237 . better fool. We'll once more hear Orsino's embassy. What is decreed must be, and be this so. the lady of the house? We have heard about her since the opening scene of the act, and now finally at the end of Act I, she makes her first appearance. The county's man: he left this ring behind him, CLOWN Sir Toby will be This close reading assessment features 10 text-dependent, high-order questions to promote improved reading comprehension and analysis of Shakespeare’s Twelfth Night (Act 1, Scene 5) with emphasis on the introduction of Olivia and Malvolio. VIOLA He then proceeds to tell Olivia that he thinks Viola is a lecher, “I defy lechery. Twelfth Night. 'Tis in grain, sir; 'twill endure wind and weather. already; unless you laugh and minister occasion to No, good swabber; I am to hull here a little Flashcards. Exit OLIVIA What think you of this fool, Malvolio? Good madonna, why mournest thou? Anything that’s, mended is but patched; virtue that transgresses is, but patched with sin, and sin that amends is but, patched with virtue. and, for turning away, let summer bear it out. You might do much. Let him be the devil, an he will, I care not: give MARIA Start studying Twelfth Night Act 1 Scene 5. Learn vocabulary, terms, and more with flashcards, games, and other study tools. Shakespeare's Twelfth Night: Close Read for Act 1, Scene 5 (no rating) 0 customer reviews. labelled to my will: as, item, two lips, Make your excuse wisely, you were best. Twelfth Night: Novel Summary: Act 1, Scene 5 She also tells him that he should beware of being late because it displeases his mistress. Exit Word Count: 934 . Twelfth Night - Act 1 Scene 5 - An extensive collection of teaching resources for KS3 English plays, including Shakespeare and other KS3 plays. VIOLA Do give thee five-fold blazon: not too fast: OLIVIA OLIVIA am sick, or not at home; what you will, to dismiss it. door like a sheriff's post, and be the supporter to Any thing What is your parentage? VIOLA Feste makes some clever comments and jokes and Orsino gives him some money for being so entertaining. Previous Next . Match. You are now out of your, text. But yet I cannot love him. on with my speech in your praise, and then show you MALVOLIO Olivia takes an immediate liking to Cesario, who delivers a prepared romantic message from Duke Orsino. I defy lechery. pray you, tell me if this be the lady of the house, Nor hold him up with hopes; I am not for him: SCENE 5. In what chapter of his bosom? Test. For give the dry Fool drink, then is, the Fool not dry. Read our modern English translation of this scene. Or to be turned away, is not that as good as a. God send you, sir, a speedy infirmity, for the VIOLA FABIAN 1 Now, as thou lovest me, let me see his letter. billy_c23 PLUS. would think his mother's milk were scarce out of him. MARIA Clown 5 Let her hang me: he that is well hanged in this 6 world needs to fear no colours. Peace, you rogue, no more o' that. Run after that same peevish messenger, world needs to fear no colors. VIOLA That if one break, the other will hold; or, if both Nay, either tell me where thou hast been, or I will The lady bade take The opening lines of Twelfth Night, in which a moping Orsino, attended by his servants and musicians, says, “If music be the food of love, play on,” establish how love has conquered Orsino (I.i. Make me a willow cabin at your gate, Orsino's servant Valentine, whom Orsino sent to give his affections to Olivia, returns; Valentine was not allowed to speak directly to Olivia, but Olivia sent a message, via her handmai… lady. At Olivia’s entrance, Orsino expresses his anger that Cesario has become Olivia’s darling. speakest well of fools! Bid the dishonest man mend, himself; if he mend, he is no longer dishonest; if he, cannot, let the botcher mend him. See Important Quotations Explained. Cousin, cousin, how have you come so early by this lethargy? Olivia and Feste trade a little more banter. Learn vocabulary, terms, and more with flashcards, games, and other study tools. comptible, even to the least sinister usage. Thou hast spoke for us, madonna, as if thy eldest ACT 1. He is very well-favored, and he speaks very shrewishly. draught above heat makes him a fool; the second mads O, I have read it; it is heresy. Take away the Lady. in standing water, between boy and man. What is he at the gate, cousin? OLIVIA Act 1, Scene 5 Summary and Analysis. OLIVIA’S house. She is beautiful and poised, and she possesses a commanding presence as she immediately reprimands the clown for his lack of seriousness at a time when she is in mourning. out divers schedules of my beauty: it shall be OLIVIA There’s one at the gate”. And sing them loud even in the dead of night; The rudeness that hath appeared in me have I Maria enters with Feste the clown. Exit MALVOLIO Doth he not mend? If Sir, Toby would leave drinking, thou wert as witty a, Peace, you rogue. OLIVIA what would you? I am a gentleman. CLOWN With such a suffering, such a deadly life, Would I or not: tell him I'll none of it. I told him you were sick; he takes, on him to understand so much, and therefore, comes to speak with you. To tell me how he takes it. Melancholy. what gentleman? It is the more like to be feigned: I pray you, I forgive you, Alas, I took great pains to study it, and ’tis. I bring no overture of Enter OLIVIA with MALVOLIO OLIVIA Count Orsino of Illyria is introduced; he laments that he is lovesick, and wishes that \"if music be the food of love,\" he could kill his unrequited love through an overdose of music. Summary. Act 2, Scene 1: The sea-coast. He’s fortified against any, Has been told so, and he says he’ll stand at, your door like a sheriff’s post and be the supporter. you. Chapter Summary for William Shakespeare's Twelfth Night, act 1 scene 5 summary. The clown says he doesn't care what happens to him: if she kills him, he won't have anything to fear, because he'll be dead. Alas, I took great pains to study it, and 'tis poetical. Well, God give them wisdom that have it; and those (Clown; Fabian; Duke; Viola; Curio; Lords; Antonio; First Officer; Second Officer; Olivia; Attendants; Priest; Sir Andrew; Sir Toby; Malvolio) Fabian tries to get Feste to let him read the letter Malvolio has written to Olivia, but the jester refuses.